Christopher Wood's
paintings, featuring in his second solo show at the Scottish
Gallery, Edinburgh this month, tread a narrow path between
representation and abstraction - and in this case that doesn't
constitute artbollocks. Inspired by the landscape around the
artist's studio in East Lothian, many of the oil paintings
appear at first sight to be compositions of pure colour; but
a prolonged glance will reveal scenes of hills, fields and
coastlines of surprising depth and form. This reflects the
way in which they are created: Wood claims to"start
off with paint and work [his] way back to nature". If
you remain unconvinced, go to the gallery and see for yourself.
The Scottish Gallery, Edinburgh, 5th - 30th June 1999